Never Look Away film still of Kurt Barnert (Edward Schilling) and Ellie Seeband (Paula Beer) on there first date walking in the park
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Film Review: NEVER LOOK AWAY

  A master of storytelling, director Florian Henckel von Donnersmarck, best known for award-winning films, The Lives of Others (2006) and The Tourist (2010), brings us Never Look Away, the story of an artist struggling to find his voice while living in Dresden under Nazi occupation. Loosely based on the artist Gerhard Richter,  there is not…

DRIVER X: film review

DRIVER X: film review

Inebriated millennial walks into an Uber. What’s the punch line? Well, you can’t make this stuff up, as one middle-aged house husband discovered when thrown into the Gig Economy. That was Henry Barrial, writer and director of DriverX, who found himself in need of cash and signed up to drive. Chauffering young techies around all…

SCIENCE FAIR: film review
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SCIENCE FAIR: film review

High-schooler Robbie programmed an old calculator to give out Shakespearian insults. Then he created used machine learning to analyze the music of Kanye West and create original rap lyrics. So why was he rejected by ten colleges? We’ll get to that. Science Fair, screened at the 2018 San Francisco Jewish Film Festival, goes inside the…

The Work, documentary, Folsom Prison, group therapy, film review,

THE WORK: film review

“I ain’t seen the sunshine since I don’t know when, I’m stuck in Folsom Prison, and time keeps draggin’ on”. Johnny Cash. This film isn’t about Johnny Cash, but it is about life in Folsom Prison. “The Work” is a real life documentary set inside a single room during a four-day group-therapy retreat. We follow…

SFFILM, san francisco international film festival, Kodachrome, Ed Harris, Jason Sudeikis,

Kodachrome: Film Review

KODACHROME: “Everything in life is somewhere else, and you get there in a car.” — E.B. White, One Man’s Meat Kodachrome imagines one such road trip, inspired by a 2010 true story in a New York Times article chronicling the imminent demise of Kodachrome and the frantic race to Dwayne’s Photo, the last Kodachrome processing…